Monday, June 6, 2011

Awakened State - Tibetan Mantras by Bruno Libert and Janice Slater

Some years back, whilst confronting a major illness, I was introduced to Tibetan Buddhism, through a fortuitous & timely introduction to my teacher (the late) Gyalsey Tulku Rinpoche (Sakya lineage). I remain in gratitude.

In the lovely  harbour side suburb of Balmain, Rinpoche would give teachings on Chenrezig practise. Chenrezig is the Buddha of Compassion.

I have to admit that I found the practise challenging, beautiful and obscure and a lot of other gradations in between! I was suffering the effects of illness and my stamina was almost non existent and we would recite the practise several times in Tibetan, finally completing it in English!  Although I was eager to traverse the nuances of a language that was completely foreign to me, the practises were lengthy and tiring.  Along with this the framework of the practise was outside anything I'd encountered. Here I was, ill with an uncertain  future, being asked to develop a compassion that reached far beyond my own concerns along with developing ...'the perfection of body, voice and  mind'.  This seemed an impossibility along with an improbability!

Since those days  I have  received the Chenrezig empowerment a number of times. Now I understand that this is a life long practise. I can make no claims to comprehending and experiencing the many subtleties of this practise but I have experienced a sense of peace and well being. 

My intention in developing the mantras for 'Awakened State' with my friend Bruno,  was to give thanks and gratitude foremost to my teacher Gyalsey Tulku Rinpoche and to the many great and kind teachers who followed.  Also to share with those who helped me through such difficult times.

I am indebted also to Bruno Elevteros Libert for his artistry, musical intelligence and guidance and to his  partner, Diane Sutherland for her superb vocals as well as developing wonderful mandala drawings for our project.  John Paul Gilius joined me in chanting a number of the mantras. Although he was unfamiliar with them at the time, he sang them with great good will and enthusiasm.  Thank you JP!

I'd also  like to share some thoughts written  by Bruno .  

'Janice and I got back in touch a couple of years ago, after having worked together in Esperanto Rock Orchestra...30 years ago. We started this Mantra "cyberspace" project via the internet between Australia and Belgium when Janice sent me her vocals/sound files by e-mail! I then put together and recorded the backing tracks in Brussels and Patmos. And here are the results of our collaboration. All "nature" sounds (some have been processed) like rain, wind, sea, birds songs etc..I used in the tracks were recorded in Patmos'.  Bruno Elevteros Libert.

The collection is called: AWAKENED STATE:  Chenrezig:  The Buddha of Compassion 

Chenrezig embodies crystalline awareness and limitless compassion.

The mantra of Chenrezig is:

Om Mani Padme Hum.  

Homage to the Lotus Born

All of the wonderful mandala drawings developed for 'Awakened State': courtesy of & copyright of Diane Sutherland 2011

Buddh: (c) janice slater

You might like to visit his website on the  link provided below and hear some of the mantras we co created along with the superb English soprano, Diane Sutherland, and quirky guest vocalist, Blue Mountains DJ and resident  John Paul Gillius.

I've also added a link to Lama Zopa Rinpoche

Thursday, June 2, 2011

Part Two: An Interview with Jack Clift

Jan.s: Jack, 'Pale Imperfect Diamond' the CD you and John Carter Cash co-wrote/produced for your first Cedar Hills Refugees project,  was a standout.   You brought together musicians from the USA and Uzbekistan and now I believe you've completed a second CD. Could you tell us a about it?

James Shelton (Ralph's guitarist and manager), Chuck Turner (engineer), Jack Clift, JCC, Dr. Ralph Stanley 

Jack:  I spent three months in Uzbekistan this past winter working on the material. I'm actually about halfway through the next -as yet untitled- Cedar Hill Refugees album. John brings a definite presence to the music. In addition to his wonderful crew of talented folks, he's also just a very sweet guy and I value his creative instincts.

We've co-written a new ballad that we're very proud of called Jayne Hill. We wrote it early in the year out at Mother Maybelle Carter's house, which JCC keeps up as a sort of writers retreat. It's a shoe-in for the, as yet untitled, Cedar Hill Refugees part two.

Jan.s: Are you following similar directions as 'Pale Imperfect Diamond'?

Jack: The new album is shaping up to be more than just an extension of our previous project. Though we do have many of the same players and singers -Ralph Stanley has given us a couple of really amazing performances and The Peasalls have done two songs.

Sarah, Hannah and Leah Peasall

We are bringing in a couple of new (for us) singers. Dave Evans from Kentucky and Elizabeth LaPrelle out of southwest Virginia are coming in for sessions next month.

Dave Evans, JC, JCC, Elizabeth LaPrelle

I'm just thrilled and extremely humbled to be a part of this. Some incendiary process occurs when these two musical traditions co-mingle. It's absolute magic to see how they illuminate each other from different angles.

Director, arranger and sound engineer Zakirjan Atabaev, Matrasul Matyoqubov (reeds), JNC

Utkur Kadirov (fiddle) Sayram Studio, Tashkent, Uzbekistan 2011

Jan.s: Jack, when you began the second CD you hoped that  Roseanne Cash may come on board....can you tell us about that session...?   

Jack: John Carter Cash and I have been doing a yearly pilgrimage out to Mother Maybelle Carter's home in SW Virginia.
It's a very remote locale and absolutely steeped in musical history. Generally we do some co-writing and brain-storming out there and the geography tends to really seep into our writing. 

In February of 2010 we came up with a ballad called Jayne Hill, named after a local geologic feature. John had told me that his sister, Rosanne, had really liked our first project and had been a little miffed that we hadn't asked her to participate. So, we definitely had her in mind for this tune. 

In June of last year John called me from New York where he was attending a publishing event and informed me that Rosanne had heard the song and wanted to sing it. In fact, she'd already reserved the studio for later that week so I had to hop on a plane the next day. 

JC & Rosanne her songstress daughter, Chelsea Crowell and JCC. NYC 2010

This was a session I was not going to miss. I found her to be a truly sweet, deeply intelligent woman with a very cool attitude. It was such a thrill watching her develop and color the narrative. Sam Bush is playing mandolin on the track and James Shelton (Ralph Stanley's guitarist and manger) is playing acoustic guitar.It was a great favorite in Tashkent this year.

Jan.s:  Jack would you like to tell us about the  most recent sessions in there? If you could share with us  some of the history of the players you're working with and where the studio is located?

Jack: Last November I traveled to Simferopol, Ukraine to begin the transnational phase of production with guitar prodigy, Enver Izmaylov.
In December I continued east to Tashkent, Uzbekistan to join with the members of Jadoo and complete that portion of operations. I spent the next two months in awe observing the batch of songs transform with the Mongol-Turkic influences of the Uzbek masters.

We recorded at Sayram Studio owned by famed Afghan singer/composer Amir Jan Sabori.
The recording engineer, Zakir Atabaev, is also a superb composer, arranger and conductor. It was my first time working with him and I must say, he was so inspiring on every level. Just a wonderful guy that brought out the best in all the crew. His contributions can not be overstated.

I wish I had a coherent list of the accomplishments of all the Uzbek players who contributed. It would fill a book.

Jan.s: .Jack, I appreciate you taking the time to share this part of your journey with us.

Jack: Thanks so much for your interest. I'd also like to plug our newly unveiled video, Keys To The Kindom.  We've also got a video of the Peasall sisters, Wife of usher's Well in the final editing stage that will be released in the next week or so.  Most importantly we are still seeking sponsorship[ for a concert documentary.

 In order to introduce you to the background to Jack Clift and John Carter Cash's project 'Cedar Hills Refugees'... I've taken the liberty of taking a quote from Jack's myspace page, link as below:

'When Jack Clift first heard traditional Uzbek music, it didn’t seem exotic or alien to him. Instead, it reminded him of the mountain music, blues and swing that he’s loved since childhood. The colorful costumes, tempos and emotional fervor of the Uzbek musicians and their audience brought to his mind old episodes of "The Buck Owens Ranch," a syndicated show that was taped in Clift’s hometown of Oklahoma City. Therefore, it only seemed natural to Clift to bring these sounds together. Working with John Carter Cash, son of Johnny and June Carter Cash, Clift and his Uzbek band Jadoo recorded musical backdrops for some of the finest talents in American country music, including internationally respected mountain singer Ralph Stanley (recipient of the 2006 National Medal of Arts), country music icon Marty Stuart, The Peasall Sisters (O Brother, Where Art Thou?, Down from the Mountain), Randy Scruggs, Ronnie McCoury, John Cowan, Greg Leisz, and Ron Miles. This wide array of talent formed the group Cedar Hill Refugees'.