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Celebrating Gwen Byng & Brissie 60's Rock'n Roll

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Janice: Gwen, I'm guessing your first connection with the music scene was in Brisbane? If not; where and who was it that took your imagination to become involved? Gwen: Good question! It was most definitely Brisbane but not really so much in a "who inspired me" way. I was doing Psychology at University of Queensland, 1st year, and around halfway through the year I did some "prac" observations at a place called The Open Door, which was run by an ex Minister of Religion Hayden Sargent, who was on talk back radio, and was involved in many things. My plan for my degree was to work with Drug Addiction, hence the connection to the Open Door He created this venue as a "Drop In Centre" for kids who needed a place to talk. Counsellors etc were on board and he also introduced regular gigs to attract the age group he was aiming for.  Friday night was "Blues" night, Saturday night was mainstream "Pop?" music with interstate guests who the loca...
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Bruce Cale talks about working with Essra Mohawk. .

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Janice:  Bruce, I can't quite remember when you mentioned to me that you played bass on a track of Essra Mohawk's 1970 'Primordial Lovers' album, but I was blown away as it was given to me by Joy Yates when we worked together in London.  It became one of my most loved albums.  Your intro on Í Have Been Here Before' is exquisite Bruce; this track is out of this world...such fabulous vocals and musicianship from all.  Far far ahead of its time...gorgeous melodic lines, profound lyrics and a mix of genres.....I almost weep every time I hear it.  Was the session in Elektra Studios in LA?  Bruce:  Can't remember which studio. The recording date was late 1969. My connection was drummer James Zitro who was on that track.  Mike Cohen was keyboard, Kenny Jenkins was the electric bass, I was the Arco Bass player, don't remember who the others were. Essra sang while we played on that take as I recall. Essra, had me do another session with just her and I....
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Watchglass: Wheels in an Elsewhere: part two of an interview with singer/songwriter Gina Graham

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Janice: Do you begin recording with a basic guitar and vocals track?  Gina: The way Mark and I work is that he will create an instrumental backing track and I will write the vocal part to fit the track. Sometimes I already have a set of lyrics that I wrote independent of music and it will fit the track, usually with some rearranging/tweaking. Other times I will write the lyrics as I listen over and over to the instrumental.  Janice: Are you both in cohorts in developing the  ambience and layering of the backing track?  Gina: The ambience and layering I leave entirely to Mark. After I've added my vocals to the mix, he will further play around with the instrumentation and create the final song. Sometimes he will consult me about something he's done, whether or not I like it. Sometimes I will notice something in the mix that doesn't seem to enhance the song and I'll mention it. But basically, I trust his experience and judgement and I like to allow him the freedom to ex...
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