bentenlaughing

Janice: Judy, who was active on the scene when you started playing and singing and were there specific venues that were favoured? For example when I began going to hear music as a teenager I'd go with my cousins to small folk clubs in the city or the Trad Jazz venues like the Iron Workers Building which I think was in George Street. Judy: When I started playing in the Sydney folk scene in 1973, there were 2 major folk clubs in the city that I was aware of. One was Cellar Folk (which may still have been called PACT Folk then), which was on Friday nights in the basement of the old YWCA building in Liverpool Street and where the music was pretty much contemporary folk (ie acoustic singer-songwriters or singers who sang the acoustic songs that were on the radio eg those of James Taylor, Joni Mitchell, Bob Dylan etc).  The main performers I remember from that part of the scene were Mike McLellan, Marion Henderson, Doug Ashdown, Bob Hudson, Margret RoadKnight, Kate Delaney, Alan Ward, D...

  Jan: my first memory of you Judy is playing in sessions; you were with Tommy Tycho right? What were those years like for you? Were they predominantly you playing, doing a lot of session work and doing your own gigs as well? Judy: I spent something like eight years pretty well non-stop in the Television Studios and the amount of actual night time playing say jazz work I used to have average 1 2 nights a week.  That was all though. Most of my work, was studio work and I didn’t go near a club until I was expecting my daughter and I had my first foray into the clubs with Barry Crocker.  (Interruption of sexy voice French waiter and friend of Judy’s on tape) Jan: So those years were really like you were into that studio thing.  Judy: Great learning, great learning years, because I'd never ever done anything like that, that was the first time in my life and then when I was expecting Lisette. I was playing and went with Barry Crocker, I was his MD musical director aro...